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  • Jun29Mon

    New Musical Premieres at Boundless

    A series of musical vignettes, Covenant parallels the funeral covenant of William Booth. June 29, 2015 by Vivian Gatica
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    As an ailing William Booth ponders the future of his beloved Army, we travel through history and across the globe witnessing his legacy in action. From the mountains of China to the streets of New York, from the jungles of Papua New Guinea to war-torn Europe, his covenant has become our covenant.”

    So goes the premise of Covenant, the musical production that will premiere at the Boundless Congress this month.

    The musical's playwright, Karl Larsson, music composer and director Kevin Larsson, and lyricist Commissioner Keith Banks, created the concept and structure of the musical last year. They tailored it to reach the multicultural audience at Boundless, and live beyond the congress.

    “Up to this point, the musical has been more of an idea in our heads about something a long time off, but now we're dealing with actors, budgets, recordings and set design,” says Karl Larsson, who is co-directing the musical with Barbara Allen in the U.S.A. Western Territory. “This is where it begins to feel real.”

    Covenant is structured as a series of vignettes that parallels the funeral covenant of The Salvation Army's founder, William Booth.

    “We'd always envisioned various self-contained stories connected loosely by an overarching story revolving around William Booth, and that's how it turned out,” says Karl Larsson. “General Booth knows his health is failing, and is worried about the future of the Army. Will it survive beyond him? His solution is the mysterious 'covenant' we see him working on throughout the show. The contents of that covenant are revealed at the end, and our hope is that the audience will immediately recognize the connection between that very real historical document and the true stories they have just witnessed on stage.”

    Choosing the stories for the musical was a collaborative effort.

    “Commissioner Banks is a treasure trove of Army stories, so some originated from him,” Karl Larsson says. “We also spent a lot of time reading online editions of as many Army periodicals as we could find, looking for those more modern stories. As friends and family learned about the project, they told us about things they'd read and heard, and our territorial commander also wrote out to every territory asking for stories. That process gave us plenty of material, but our criteria was strict: the stories had to be fairly obscure and they had to connect to our theme.”

    A key challenge for Karl Larsson was determining the sequence of the play's stories.

    “I always knew which one I wanted last, as it's the longest and most complex and, in some ways, most remarkable story,” Karl Larsson says. “The other segments all vary in style, mood, length and era, so we plotted out how we hope the audience will react emotionally to each segment, and then tried to smooth the edges of those emotional transitions as much as possible.”

    Kevin Larsson and Commissioner Banks built the music and lyrics upon the message of each story featured in the vignettes.

    “The genuine, inspirational nature of these stories gave me the ideas I needed,” Commissioner Banks says. “The lyrics relate directly to each vignette and attempt to explore and expound the essence of the story.”

    Karl Larsson says that each scene in the musical is meant to reach every type of audience member.

    “People like to shuffle their music these days, and this is in some ways a 'shuffle musical,' ” he says. “It jumps through time and place, switching tone, mood and style, but underneath it all is this powerful, unifying concept of 'covenant.' ”

    For Commissioner Banks and the Larssons, the ultimate hope is that the audience grasps the evangelical message of the musical.

    “Each vignette has a message. In some the message is about commitment to Christ; in others it is about loyalty to Christ in difficult circumstances,” Commissioner Banks says. “Our hope is that all who see the musical will catch the spirit of that covenant and then make their own covenant, joining enthusiastically and sincerely as one to create a shared covenant that will impact the world for Christ.”

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