Maple Leaf Brass

(Festival Arrangement) Taking inspiration from traditional Gaelic dance, this upbeat setting of Handel’s well known tune Maccabeus (T.B. 746) seeks to showcase the building excitement and jubilation of the early church on the day of Christ’s resurrection – the greatest joy we can share today! This piece was originally written for the Greater New York Music and Arts Camp in 2016.

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(Meditation) This piece was originally written for the Valleistreek corps band and recently rescored for the Amsterdam Staff Band to be used at Easter. The music seeks to portray the path that took Jesus, the Lamb of God, to the cross to die for our sins. From the first few measures of music, the listener can sense that the path is dark and full of fear. The music portrays the moment the nails are used to crucify Him and the words “It is finished!” are spoken before the tune Passion Chorale (T.B. 226) is heard to which we associate the lyrics from Song Book 190. The next section reflects the pure love that was shown on the cross as the tune Mother Machree (T.B. 760) is heard to which we associate the lyrics from Song Book 184. The piece ends in perfect peace, reemphasizing the last line of this familiar chorus.

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(Hymn Tune Arrangement) The soul-searching lyrics of Abide With Me (S.A.S.B. 529) have touched the hearts of people all around the world. The poet expresses the many different experiences and feelings of mankind, concluding that we all need the Lord to be our constant companion and source of power.

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(Festival Arrangement) Psalm 98:4 tells us to “Shout for joy to the Lord, all the earth, burst into jubilant song with music.” This energetic rendition of Lift Up the Banner (S.A.S.B. 989) seeks to capture the Psalmist’s invitation to praise. The text painting within the middle section’s minor key transition refers to a Christian’s struggle with secular surroundings, leading into a triumphant final verse that emphasizes the text, “To God the world shall yet belong!”

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(Hymn Setting) The composer William Doane sought out Fanny Crosby to write verses based on the theme “Pass me not, O gentle Saviour.” Fanny Crosby was known to come up with lyrics quickly but in this case, struggled for some weeks until, while speaking at a Manhattan prison service, one of the men cried out, “Good Lord! Do not pass me by.” This man may have felt forgotten by society, but he did not want to be forgotten by God. This gave her the inspiration for the song, which she wrote that evening, and since its publication in 1870 has served as a compelling song of invitation.

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(March) This lively march was written for The Salvation Army’s National Music Camp in Bolivia. It features the tune This Is What the Lord Has Done (T.B. 891).

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(Carol Arrangement) Written in a reggae style, this arrangement uses the traditional German carol Good Christian Men, Rejoice with brief references to O Come, O Come Immanuel. The title references the original name of the carol In Dulci Jubilo.

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(Fanfare Prelude) This prelude is based on the Welsh hymn tune Cwm Rhondda (T.B. 399) which we associate with the words Guide Me, O Thou Great Jehovah (S.A.S.B. 27).

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(Chorus Setting) A simple yet expressive arrangement of a beautiful chorus (T.B. 862) written by General John Larsson. Based on words taken directly from Philippians 4:6-7, the theme is one of reassurance to the believer of the incomprehensible peace of God amidst the worries and stresses of life.

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(Hymn Setting) Two hymns of assurance are brought together in this setting as a reminder that in Jesus, we as Christians are “hidden in the cleft of the Rock.” Augustus Toplady, caught by a sudden storm in a field in 1776, saw a large boulder and found a crack into which he fit. While waiting out the storm, Toplady reflected how Christ, who is called the Rock of Salvation, was broken that we might find shelter from impending judgement, and penned these immortal words. Over a century later, Fanny Crosby was reflecting on the passage found in Exodus 33 when Moses asked the Lord to show him His presence. God acquiesced to Moses’ request and assured him, “I will put you in a cleft in the rock and cover you with my hand." View PDF Click to Purchase

(Prelude) The song When I Look Into Your Holiness (S.A.S.B. 402) has traditionally been used to reflect on why we were created – to worship God. The Reason I Live approaches the theme of these words as a declaration; that when our minds are focused on Him, worship can be a truly transformative experience. The music seeks to emulate this transformation from the simplistic beginning to a pensive first chorus. An invigorating conclusion provides opportunity for listener and player alike to contemplate the beautiful lyrics as an individual and collective act of worship. View PDF Click to Purchase

(Song Arrangement) O Lord, You’re Beautiful is a popular Christian song that was written in 1980 by Keith Green. The reference to Burning, Burning (T.B. 318) and the final motif at the end of the piece that references the tune Tucker (T.B. 295) were inspired by the lyrics of the second verse. This arrangement is straightforward and should be useful for bands looking to program songs from this era that produced so many classic worship songs.

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(Carol Arrangement) This arrangement features the well-known carol See, Amid the Winter’s Snow (T.B. 259). This carol is also known as The Hymn for Christmas, written by Edward Caswell, and first published in 1858. In 1871, John Goss wrote the tune Humility specifically for the carol. View PDF Click to Purchase

(Song Arrangement) This familiar song (S.A.S.B. 427) is presented with a slightly different feel. The lyrics start by asking, “Is there a heart o’erbound by sorrow? Is there a life weighed down by care?” Jesus tells us in Matthew 11:28 (NIV), “Come to me, all you who are weary and burdened, and I will give you rest.” He is our friend, who hears our prayers and offers us comfort. This beautiful promise can be found in the words of the refrain.

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(Song Arrangement) This arrangement is a setting of the new song Solid Rock, written by Katie Fuentes and published in Volume 1 of the Salvation Worship publication. While this band arrangement introduces a new song, there are many references to the traditional hymn Solid Rock (T.B. 446) which will bring familiarity to listeners as a central theme for the work. It is anticipated that this new arrangement will help introduce the song to congregations, particularly if effectively used with a multimedia display. Despite being written as a stand-alone presentation, this arrangement can also work as a congregational accompaniment if desired. View PDF Click to Purchase

(Cornet Solo) This is a simple treatment of the tune By His Hand (T.B. 8), originally composed by Major Thomas Mack. His choral setting of Joseph Henry Gilmore’s text, He Leadeth Me, has been highly popular since its introduction several years ago in Sing to the Lord (Volume 1). Hints of two other popular tunes associated with these lyrics are also contained within the arrangement. The words speak of challenge and testimony.

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(Chorus Arrangement) This arrangement was written at the request of Major Bernard Wyttenbach, a retired Salvation Army officer from Switzerland, who wanted this beautiful chorus to be arranged in a way that could be used to accompany congregational singing.

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(Song Arrangement) Closer blends together two songs; Draw Me Close by Kelly Carpenter and the hymn Draw Me Nearer (S.A.S.B. 586) by Fanny Crosby and William Howard Doane. Both songs speak of the longing of the Christian to be close to our Saviour.

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(Prelude) This arrangement of the tune Darwalls (T.B. 200) serves as a prelude or postlude to worship. The opening tonality and semi-fanfare nature announce a united proclamation using the words of Charles Wesley’s hymn Rejoice, the Lord Is King! (S.A.S.B. 271) The line Alleluia from the hymn All Creatures of Our God and King (S.A.S.B. 2) is also apparent. Together, we join in singing praise to our King who will triumph evermore.

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(Festival Arrangement) This arrangement of the well-known song O Church Arise (S.A.S.B. 819) is in the form of an opening fanfare, followed by a three-verse setting of the tune. Hints of militaristic style reflect the imagery of the words of the first two verses. The final verse is presented in a more upbeat and celebratory style, as we look to the future. The words of the song are a call to action – for the church to hear the call of Christ and “to love the captive soul.” For there to be a revival in the church, there also needs to be revival in our individual hearts, and so there are references to the hymn Arise, My Soul, Arise (S.A.S.B. 242) throughout the piece. It is hoped that this piece will be an encouragement to those who hear it to, “run with faith to win the prize of a servant good and faithful.” View PDF Click to Purchase

(Postlude) Written for the Canadian Staff Band’s online Remembrance Concert in 2020, the music is framed upon the four verses of John Oxenham’s hymn, In Christ There Is No East or West (S.A.S.B. 1006), which is most often associated with Alexander Reinagle’s well-known tune, St. Peter (T.B. 116). The music begins very plainly with the solo snare drum and solo melody line. With occasional references to The Last Post, it builds toward the full-sounding proclamation of the text, “All Christly souls are one in Him throughout the whole wide earth.” View PDF Click to Purchase

(Song Arrangement) The beautiful Irish folk tune Slane (T.B. 831) has long been associated with the words Be Thou My Vision by Eleanor Hull. This arrangement attempts to translate into music the experience we are going through in being removed from our normal expressions of worship and music ministry. The piece begins with a motif that represents distance and aloneness. As we hear each verse of the melody presented, from a prayerful nature to a rejoicing plea, this motif continues to be present. The piece concludes in a similar style to the opening but offers a sense of encouragement through the lyrics, “O Ruler of all.” Although we may feel isolated and alone, God is with us and we continue to pray for His vision and guidance in our lives today. View PDF Click to Purchase

(Song Arrangement) The words of the song I Surrender All (S.A.S.B. 636) are set to a new melody that was written at the start of the COVID-19 pandemic. The listener is reminded that regardless of our circumstances, we need to surrender our all to Jesus and fully rely on Him. Whether we are going through good times or difficult times, we can trust that He is in control if we continue to surrender our lives for His glory. View PDF Click to Purchase

(Song Setting) The song (S.A.S.B. 5) featured in this arrangement was specifically chosen to bring comfort and assurance to those impacted by the COVID-19 virus in 2020. In a time where many have missed coming together for corporate worship, or gathering in other ways, one verse speaks of being “lonely and sad, from friends apart,” an experience shared by so many during this difficult time. No matter the circumstances of life we must face, the songwriter assures us that God will be there to meet our every need. May this song remind listeners of that reality. View PDF Click to Purchase

(Meditation) Thy Will is a meditation that takes us on a spiritual journey – one of seeking, praying and submission. It begins with a seeking heart, expressed through the words of the chorus Silently Now I Wait for Thee (S.A.S.B. 786). This moves into a prayerful attitude that appeals to the Lord for the revelation of His will in our lives through the chorus O Speak (S.A.S.B. 762). We don’t always hear what we want or expect which often causes confusion and doubt. Only through complete submission, surrender and obedience can we follow the will of our Master (At Thy Feet I Bow Adoring S.A.S.B. 572). The piece closes with the simple reminder from the song Sweet Will of God: “Sweet Will of God, still fold me closer.” View PDF Click to Purchase

(Song Arrangement) This is a blues arrangement of the traditional hymn Amazing Grace (S.A.S.B. 453). The soloists' section is intended to represent a band testimony where they "testify" to God's grace in their lives. View PDF Click to Purchase

(March) This piece was written as the signature march for the Jubilee Brass Fellowship Band. The band is led by the composer and is comprised of Salvationists from across Southwestern Ontario. It features the chorus Grace, Grace, God’s Grace and the well-known song Amazing Grace (S.A.S.B. 453). This is a very playable march that incorporates two familiar melodies, making it useful for ecumenical services or outdoor events. View PDF Click to Purchase

(Song Arrangement) The worship song Friend of God is given a lively treatment in this arrangement. Written for the massed bands at the 2020 Ontario Central East Division's Micro Music Camp, this piece is a group proclamation of the assurance that God is mindful of us, hears us, thinks of us, and love us. The piece begins and ends with statements of the well-known song What a Friend We Have in Jesus (S.A.S.B. 795).   View PDF Click to Purchase

(Hymn Tune Arrangement) This arrangement features Albert Orsborn's beloved tune Brantwood (T.B. 199) to which we associate the words I Know Thee Who Thou Art (S.A.S.B. 79). The text expresses the confidence of knowing our identity in Christ and the profound influence He can have in our lives if we allow Him to walk alongside us.  View PDF Click to Purchase

(Meditation) This arrangement was written for the Canadian Staff Band's 50th Anniversary celebration in March 2019. This well-known hymn (S.A.S.B. 202) is presented in a meditative and patient setting featuring the tune Covenant (T.B. 66). The words to this hymn also fit the original melody that is introduced after the first chorus by the Flugel Horn. There are several quotes from the hymn I Know a Fount where the band states "there's a wonder-working power in the blood of Calvary." This arrangement reminds the listener of the redeeming power of Christ's sacrifice, but also boldly proclaims, "I do believe, I will believe, that Jesus died for me." View PDF Click to Purchase

(Song Arrangement) This arrangement features the Brian Doerksen song, Refiner's Fire. The lyrics of the chorus truly express the Christian desire to be holy. View PDF Click to Purchase

(Hymn Tune Arrangement) This arrangement was written with the intention of honouring the familiar tune and text through its simplistic nature. The words remind the listener that God is constant, reliable and unfailing. His love never ends and His mercies are new each morning. It is hoped that the music would encourage the listener as they contemplate the promises of God. Great is Thy faithfulness! View PDF Click to Purchase

(Festival Prelude) This opener was written for the North York Temple Band and uses the hymn Christ the Lord is Risen Today (S.A.S.B. 218) as the main theme. Fragments of Thine is the Glory (S.A.S.B. 276), a favourite hymn at Easter, are also prevalent throughout the piece. Celebratory in nature, the overarching theme is the coming together of the Christian church to celebrate the Risen King. While the message of Easter is predominant, this would be a suitable selection at any time of the year. View PDF Click to Purchase

(Selection) Written for the 50th anniversary of the Burlington Corps, this selection features three songs chosen from among several favourites suggested by the congregation. The common theme is the endless victory in Christ experienced by those who answer the divine call to service (Who is on the Lord's side? S.A.S.B. 992), who prayerfully ask for the Lord's blessing and guidance in all their endeavours (Lord, if your presence, S.A.S.B. 1031), and who give God the glory for all He has done and is doing in their midst (Thine is the glory, S.A.S.B. 276). View PDF Click to Purchase

(Meditation) This is an original composition inspired by the words of Psalm 23, intended to help us reflect on God's presence, His comfort, and how He truly is the Good Shepherd in our Christian lives. Scripture reminds us, "You are with me. You comfort me. Surely your goodness and love will follow me all the days of my life, and I will dwell in the house of the Lord forever." View PDF Click to Purchase

(Cornet Solo) James Allen has crafted a beautiful and simplistic cornet solo that blends together the two familiar tunes associated with this much-loved Christmas carol. View PDF Click to Purchase

(Cornet Solo) Joy Webb's beautiful mix of melody and lyrics is arranged for cornet and band by Andrew Poirier. "Help me, Saviour, as I pray." View PDF Click to Purchase

(Chorus Setting) A straightforward arrangement based on Psalm 46:10 (NIV), “Be still and know that I am God.” “In Thee, O Lord, do I put my trust” (S.A.S.B. 594) are additional words that are associated with this melody. View PDF Click to Purchase

(Meditation) Each new morning brings a new beginning; a chance for the believer to start over thanks to God’s love. Lamentations 3:22-23 says, “Because of the Lord’s great love we are not consumed, for his compassions never fail. They are new every morning; great is your faithfulness.” This piece explores the idea of new beginnings, with the focus of the ultimate new beginning – eternal life. It begins with a quote from the tune Carlisle (T.B. 147) to which we associate these words: “Blest be the tie that binds our hearts in Christian love…”

(Song Arrangement) This piece was written for the “Spring 4 Band” concert in Halifax, Nova Scotia. This is an annual event that brings together corps bands within the Maritime Division for a day of fellowship and music making. Each group comes prepared to play a few items and then unite as a massed band. Since the words and melody of this familiar song (S.A.S.B. 741) had always appealed to the composer, it was a fitting choice for this particular concert that celebrates mission and ministry within the division. View PDF Click to Purchase

(Festival Arrangement) The song All Heaven Declares (S.A.S.B. 237) by Noel and Tricia Richards is featured in this arrangement for brass band that intentionally imitates and pays tribute to the iconic Fanfare of Praise by Robert Redhead, but in a more simplified form. The overall shape of the piece allows for a dramatic build to the end, which helps the listener reflect on the words that proclaim praise to the risen Lord. View PDF Click to Purchase

(Hymn Tune Arrangement) A modern setting of the well-known hymn tune Ellers that is both prayerful and majestic in nature. It is often associated with the three verses of Dorothy Ann Thrupp’s song, He Walks with God Who Speaks to God in Prayer. View PDF Click to Purchase

(Carol Arrangement) In 1865, William Chatterton Dix penned these words in the poem The Manger Throne. Today, using modified stanzas and set to the tune Greensleeves, this has become one of the most well-known Christmas carols. This setting, arranged by Paul Vos, is reflective of the text as it seeks to express the miraculous gift of Christ coming to earth as a baby. View PDF Click to Purchase

(Soprano Cornet and Flugel Horn Duet) Tim Hughes wrote this song in 2001 and it has continued to be a main-stay in the worship song literature over the last several years.  This duet is a simple rendition of the song, giving the performers and listeners a chance to reflect on the words. View PDF Link to Purchase

(Benediction) 

(March) This March was written for a Lewisporte Citadel Band weekend and it features two fitting choruses. The first chorus, If I take the wings of the morning, is found in the chorus section of the old tune book. It expresses the biblical thought that there is nowhere we can go to hide from God. The second chorus, Building up the temple, is featured as an expression of community which celebrates young people and old-timers working together in harmony. View PDF Link to Purchase

(Trombone Feature) This trombone feature is a simple rendition of the well-known chorus. With nothing technical or complicated to distract the listener, this arrangement presents the message of patience and understanding as we seek to do God's will in our lives.
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(Selection) 

Blessed Assurance, Solid Rock, and I Stand Amazed are woven together in this selection.
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(Meditation) 

(Hymn Tune Arrangement) 

(Song Arrangement) A setting of the hymn My Jesus I Love Thee that can be used as a selection or to accompany congregational singing.
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(Hymn Tune Arrangement) 

(Classical Arrangement) A jaunty setting of the traditional French folk song often associated with Christmas. View PDF Link to Purchase

(Chorus Setting) A simple yet useful chorus arrangement of He is Lord, suitable for an Easter selection. View PDF Link to Purchase

(Classical Arrangement) This popular melody is given a sensitive treatment by Lt-Colonel Norman Bearcroft. View PDF Link to Purchase

(Chorus Setting) 

(Hymn Tune Arrangement) 

(Trombone Solo) 

(Christmas Music) This popular work has been transcribed for brass band and is sure to enhance any Christmas program as it uses a medley of carols.
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(Song Arrangement) A beautiful benediction that starts softly and progresses from pensive to lyrical before ending on a note of triumph.
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(Christmas Music) 

(Congregational Song Accompaniment) A bright and energetic arrangement of the popular song Come, let us all unite to sing.
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(Classical Arrangement) An extremely challenging transcription of an orchestral overture by Russian composer Dmitri Shostakovich that is sure to push any brass band to its limit.
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(Fantasy) This exciting concert piece features the songs Garments of Praise and Love lifted Me, while drawing its musical inspiration from the western film genre. View PDF Link to Purchase

(Christmas Music) A lively Christmas piece written in a Latin feel using a trio of carols.
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(Suite) 

(Suite) 

(Overture) Old Hundredth, Lift Up the Banner and other familiar melodies are used in this overture as it jumps from style to style, finishing off with big broad ending. View PDF Link to Purchase